Thursday, September 18, 2025

Bronze and Geometry: Art Deco’s Ideal Man

Maurice Guiraud Rivière, “Centerpiece Supported by Three
Nude Male Figures,” c. 1930s

When most people picture Art Deco, the mind goes to sleek skyscrapers, angular ornament, and those famous female dancer figurines with ivory faces and bronze limbs. But the 1920s and 1930s also produced a remarkable body of male imagery, especially in sculpture, where the male nude was celebrated as much for its athletic power as for its aesthetic beauty.

Sculptural Heroes
The Strength, A bronze group by Maurice Guiraud-Rivière (1881-1947), circa 1930


Auguste Durin crafted muscular athletes whose streamlined bodies recalled both ancient Greek statues and modern gymnasiums. His bronzes often highlight the flex of a thigh or the arc of a torso, creating men who feel both timeless and distinctly of their era. Maurice Guiraud-Rivière gave us dynamic bronzes of runners, discus throwers, and hunters; their bodies drawn into taut, geometric rhythms as if caught in perpetual motion.

Clarte Standing Nude with Globe by Max Le Verrier 
Demétre H. Chiparus, though famous for exotic female dancers, did not neglect men altogether—his Le Premier Pas shows a young nude stepping forward with deliberate grace, his body a harmony of energy and elegance. Max Le Verrier, perhaps the most recognizable name in Art Deco sculpture, created striking athletic youths such as Clarté, a lamp-bearing nude male who holds a glowing globe aloft like a modern Prometheus.

Jean de Roncourt’s “Lanceur de Lance,” 1930s
Jean de Roncourt’s works exude virility: his bronzes of hunters, wrestlers, and archers reveal every muscle in sharp definition, nude or scantily draped. Pierre Le Faguays, often working under pseudonyms like Fayral or Guerbe, produced vigorous male and female dancers alike; his Danseur Nu captures the twisting grace of a naked youth in motion. Even lesser-known sculptors like L. Valderi French contributed to this canon of heroic men, cast in bronze and spelter, embodying an age obsessed with strength and beauty.

Nudity and the Male Form

Pierre Le Faguays, “Three Athletes,” 1935
The nude male in Art Deco sculpture is strikingly different from the female nude of the same period. Where women are often allegorical or eroticized, men are athletic, disciplined, and powerful. Nudity was not scandal but symbol: the unclothed male body embodied health, modernity, and idealized masculinity. These weren’t portraits of individuals, but archetypes—youths who seemed to stride straight out of both the classical past and the Jazz Age future.

Two-Dimensional Visions

Demétre Haralamb Chiparus (1886-1947), 'Le Bendeur'

Art Deco depictions of men weren’t limited to bronze and stone. Painters, graphic artists, and muralists also took up the subject, often balancing sensuality with stylization. Tamara de Lempicka, best known for her cool, chic portraits of women, also painted striking male nudes, such as Nu Masculin (1929). In these canvases, bodies are sculptural and polished, more marble than flesh.

Jean Dupas, whose monumental panels adorned interiors of luxury liners, often depicted sailors, mythological heroes, and allegorical figures—sometimes draped, sometimes nude—his men elongated and stylized, their musculature arranged like architecture. In graphic art and advertising, artists such as Paul Colin infused male figures—whether jazz musicians, dancers, or athletes—with the same geometric vitality seen in sculpture.

Even in decorative arts, male forms appear: wall panels, book illustrations, and magazine covers showed sleek swimmers, runners, and workers, clothed or unclothed, embodying vigor and speed. The nude was celebrated not only in galleries but in the very fabric of modern life.

The Question of What’s Missing


“Nude Athlete,” by Maurice Guiraud Rivière, 1930

One detail that often strikes modern viewers is what is not shown. Many Art Deco male nudes either cover or minimize the penis. This wasn’t an accident—it was a deliberate choice shaped by several factors. The style drew heavily on classical precedents, where small, modest genitalia signaled refinement rather than vulgarity. Social propriety and marketability also mattered: a statuette with prominent genitals would not have graced many bourgeois mantelpieces. Moreover, the Art Deco aesthetic favored clean lines, streamlined geometry, and polished surfaces—the penis simply disrupted the ideal silhouette. And finally, there was the delicate matter of gender politics: a nude woman could be eroticized without scandal; a nude man, if too explicit, risked reading as homoerotic in a society uncomfortable with such implications.

“Nude Athlete,” by Maurice Guiraud Rivière, 1930
So while Art Deco exalted the male body, it often did so with strategic omissions. Muscles, movement, and idealized form took precedence over sexual detail. In this sense, the missing penis tells us as much about the cultural anxieties of the 1920s and 1930s as the stylized bodies tell us about its ideals of beauty and strength.

Wednesday, September 17, 2025

Pic of the Day

 

MRI

Today is finally MRI day, and I’m both relieved and a little anxious. I had to be up earlier than usual this morning since my appointment at the hospital was at 6 a.m. Isabella didn’t seem to mind me stirring around at that hour—she was just happy to have breakfast a bit earlier. For weeks now my back has been bothering me, and while I’ve tried to push through the pain, it’s clear something isn’t right. Hopefully, the MRI will give me some answers and a clearer path forward. It’s one of those things where just knowing what’s going on will be a huge relief in itself.

Since I have the whole day off, I decided to make the most of it and head up to Burlington afterward. There are a few shoe stores there that carry some really nice options, and I’ve been needing a good pair of shoes for a while. It feels like a bit of a treat to mix something necessary with something enjoyable. After all, if I’m going to be dealing with back issues, I might as well do it in style with a comfortable (and hopefully sharp-looking) new pair of shoes.

Tuesday, September 16, 2025

Pic of the Day

 

Freedom and Truth

Freedom and Truth

By Margaret Fuller

To a Friend.

The shrine is vowed to freedom, but, my friend,

Freedom is but a means to gain an end.

Freedom should build the temple, but the shrine

Be consecrate to thought still more divine.

The human bliss which angel hopes foresaw

Is liberty to comprehend the law.

Give, then, thy book a larger scope and frame,

Comprising means and end in Truth’s great name.

 

 

About the Poem

Margaret Fuller’s poem Freedom and Truth offers a meditation on what freedom really means. She insists that freedom is not an end in itself, but a means to something higher — to truth, to comprehension of moral law, to the divine. Freedom without truth, she suggests, is an empty shrine: a structure without a god inside. For her, true human happiness comes from using liberty not merely for self-indulgence, but to understand and live within universal truths.

 

Reading Fuller’s lines, I couldn’t help but think of the chorus of Kris Kristofferson’s “Me and Bobby McGee” (made immortal by Janis Joplin):

 “Freedom is just another word for nothin’ left to lose…

And feelin’ good was easy, Lord, when he sang the blues.”

Though written more than a century later, these lyrics capture a strikingly similar tension. For Kristofferson and Joplin, freedom stripped of attachments is both exhilarating and hollow. It means release, but also loss. Like Fuller, the song suggests that freedom alone is not enough; its meaning is found when it leads to something more — in this case, authentic connection, soulful music, and the raw honesty of experience.

 

This resonates deeply with the American Transcendentalist movement, of which Fuller was a central voice. Ralph Waldo Emerson once wrote, “For what avail the plough or sail, or land or life, if freedom fail?” — reminding us that liberty matters only in so far as it sustains deeper purposes. Henry David Thoreau sharpened the point in Walden: “Disobedience is the true foundation of liberty. The obedient must be slaves.” Both Emerson and Thoreau, like Fuller, argued that freedom was valuable only when it brought us closer to truth, authenticity, and the divine.

 

And yet, we see in our own age how this lesson is often forgotten. Freedom of speech, one of the most cherished liberties, is frequently used as a cover for spreading hatred, division, and outright lies. But freedom of speech divorced from truth is no freedom at all — it becomes the empty shrine Fuller warned against, a hollow liberty that erodes rather than sustains the human spirit.

 

Fuller’s 19th-century vision, Kristofferson’s 20th-century lyric, and our 21st-century struggles meet on common ground. All remind us that freedom cannot be idolized on its own. Whether in the pursuit of higher laws, in the fleeting transcendence of music and love, or in defending speech that is rooted in truth and justice, freedom gains its true meaning only when it opens into truth.

 

May we never forget that freedom without truth is a shell. Truth gives freedom its soul.


 

About the Poet

Margaret Fuller (1810–1850) was one of the great voices of the American Transcendentalist movement, though her life and legacy often stand in the shadow of Emerson and Thoreau. I’ve always been inspired by the Transcendentalists, but I find myself especially drawn to Fuller — not only her writings but also the way she lived her life, ahead of her time and unwilling to conform to society’s expectations.

 

Fuller was the first editor of The Dial, the Transcendentalist journal, and the author of Woman in the Nineteenth Century (1845), one of the earliest works of American feminism. In that book she declared, “Let every woman, who has once begun to think, examine herself.” That call to self-examination and truth resonates as much today as it did in her century. She also wrote, “Very early, I knew that the only object in life was to grow.” For Fuller, freedom was always tied to growth, to becoming more fully human, more fully alive.

 

Her life took her far beyond Concord. I’ve long had a fascination with American expatriates of the 19th century, and Fuller became one herself. In 1846, she traveled to Europe as a foreign correspondent for the New York Tribune. It was there that she found herself drawn into the currents of Italian nationalism — what would later grow into the Risorgimento, the movement for Italian unification.

 

Fuller fell in love with Giovanni Ossoli, a young Italian revolutionary, and bore his child. Their relationship had to be kept secret, both because of politics and because of society’s judgment. At one point she even entrusted her baby to the care of another family, only to find he was treated poorly — a decision that haunted her. Eventually, Fuller, Ossoli, and their child decided to leave Italy for America, carrying with them her manuscript history of the Roman Republic.

 

Tragically, they never reached American shores. In July 1850, their ship struck a storm and sank off Fire Island, just short of New York Harbor. Fuller, her husband, and her child all drowned. Their bodies were recovered, but her manuscript — the culmination of years of thought and observation — was lost forever.

 

Her life was brief and often tragic, yet Margaret Fuller remains one of the most remarkable American thinkers of the 19th century. She lived with passion, intellect, and conviction, and her words — as in Freedom and Truth — continue to remind us that liberty without truth is empty.

Monday, September 15, 2025

Pic of the Day

Mondays and Milestones

It was a busy weekend, and it’s shaping up to be a busy week ahead. Saturday was spent watching college football (Roll Tide!), and yesterday I went clothes shopping. That may not sound like much, but for me, it was a little milestone.

I haven’t really talked about this here, but I’ve lost some weight. My clothes just don’t fit the same anymore, and shopping has become a necessity. I don’t often bring up my weight because in the past it has sometimes led to rude comments or unsolicited advice. The truth is, I’ve struggled with my weight my whole life. Now, for the first time, I’m no longer overweight. I still have a way to go before I’m fully happy with my body, and with my back issues, I haven’t been able to get to the gym the way I’d like. Hopefully, that will change soon.

Yesterday’s shopping trip also meant a lot of walking—something I haven’t been able to do in months. By the time I got home, my body was completely exhausted. I used to love shopping, and if I only need to go to one store, I still enjoy it some. But going to half a dozen crowded stores is more than I can handle these days. Still, it was worth it to find clothes that fit and look nice for the events ahead.

As for this week, today is just a regular Monday at work—and Mondays are never fun. The bigger push comes later in the week with events Thursday, Friday, and Saturday. That’s part of why I needed those new clothes. I like to dress nicely anyway, but as the public face of the museum, I feel like it’s even more important to look put-together. First impressions matter, and I want to give a good one not just for myself, but for the museum as well.

It’s also a big week for my back. On Wednesday, I go in for an MRI of my lower back. I’ve been feeling much improved, so I’m hoping that the prognosis will be good. Between that and the long hours later in the week, it’s going to be a full schedule. Thankfully, I have tomorrow off as a bit of breathing room.

Here’s to a good week ahead—for all of us.


The picture above is not me, but like him I also need some new shoes—though that might not happen this week.

Sunday, September 14, 2025

Pic of the Day

One Body, One Family

“For just as each of us has one body with many members, and these members do not all have the same function, so in Christ we, though many, form one body, and each member belongs to all the others.” 
— Romans 12:4–5
“So now you are no longer strangers and foreigners. You are citizens along with all of God’s holy people. You are members of God’s family.” 
— Ephesians 2:19


One of the hardest things about being LGBTQ+ is that so many of us have been made to feel like outsiders. Sometimes it’s been in our families, sometimes in our communities, and too often in our churches. That kind of rejection leaves scars. But when I read passages like these, I’m reminded that God doesn’t see us as strangers, outsiders, or “less than.” God sees us as part of the body, part of the family.

Romans 12 reminds us that the church is like a body—different members, different roles, but all working together. No part is useless, no part can say, “I don’t need you.” That means you, just as you are, bring something vital to the body of Christ. And Ephesians takes it a step further: we’re not just loosely connected, we’re family. Full citizens of God’s household. Not guests. Not outsiders. Family.

This is Christianity’s greatest strength—that people of every background, identity, and story are drawn together by God’s love into one body, one family. When LGBTQ+ people are excluded, that strength is weakened, because the body is not whole. Our gifts, our voices, our joy, and even our struggles are part of what makes the body of Christ stronger, more compassionate, and more complete.

That’s powerful when you’ve ever been told otherwise. 1 John 3:1 tells us, “See what great love the Father has lavished on us, that we should be called children of God! And that is what we are!” It doesn’t say some of us. It doesn’t say only the ones who fit a certain mold. It says we are God’s children, and that includes LGBTQ+ folks too.

Galatians 3:28 reminds us that all the old dividing lines—Jew or Gentile, slave or free, male or female—don’t hold sway in Christ. “You are all one in Christ Jesus.” For us today, that verse could just as easily say: gay or straight, trans or cis, single or married—you are all one in Christ Jesus.

And here’s the other side of it: when one of us hurts, the whole body hurts. 1 Corinthians 12:26 says, “If one part suffers, every part suffers with it; if one part is honored, every part rejoices with it.” So when LGBTQ+ people are rejected or mistreated, it isn’t just our pain—it’s the church’s pain. And when we live openly, joyfully, and authentically in God’s love, that joy is a gift that strengthens the whole body.

The Bible is also full of reminders that God takes what the world rejects and turns it into something essential. Psalm 118:22 says: “The stone the builders rejected has become the cornerstone.” And Jesus echoed this in Matthew 21:42: “Have you never read in the Scriptures: ‘The stone the builders rejected has become the cornerstone; the Lord has done this, and it is marvelous in our eyes’?” For anyone who’s ever felt pushed aside, those verses are a lifeline. What others reject, God makes foundational.

And so we’re called to do the same. Romans 15:7 tells us, “Welcome one another, therefore, just as Christ has welcomed you, for the glory of God.” That’s not a half-hearted welcome, not a “you can sit here, but stay quiet.” It’s a full, Christlike welcome that says: you belong, you matter, and we’re not whole without you.

Where do you most need to hear the reminder that you belong today? What unique gift or story do you bring that helps the body of Christ be more whole?

Saturday, September 13, 2025

Pic of the Day

Moment of Zen: Tanlines

There’s just something about tanlines—those sharp contrasts etched by a summer of sun. Now that summer is over, the lines remain, like a secret reminder of long days, warm nights, and skin that still carries the memory of light. Sometimes what’s hidden makes the revealed all the more irresistible.

Friday, September 12, 2025

Pic of the Day

 


TGIWFHF*

 

It’s finally Friday, and I couldn’t be more thankful. Not only is it the end of the week, but it’s also my work from home day. That makes such a difference. No commute, no rushing out the door, no bracing myself for whatever mood my boss might be in. Instead, I can ease into the day with a little less stress, work from the comfort of home, and hopefully keep my migraine at bay. After the week I’ve had, that feels like a blessing.

I always look forward to Fridays, but this one feels especially good because I know what’s coming up next week. The first half should 🤞be relatively calm—Monday is shaping up to be quiet, and Tuesday I’m off. But Wednesday brings my MRI for my back, which I’m both anxious about and ready to get over with. Then the second half of the week kicks into high gear. Thursday through Saturday I’ll be working and participating in events for the museum. It’s going to be a lot to juggle, and I already know it’s going to take a lot out of me.

That’s why today feels even more important. I need this chance to breathe, to regroup, and to prepare myself for what’s ahead. Fridays at home are a reminder that little breaks like this can make a world of difference when life gets hectic. I’ll take the peace while I can get it.

I hope everyone has a great Friday and an even better weekend.


* Thank God It’s Work From Home Friday 


I almost forgot my Isabella Pic of the Week. I took this right after I wrote today’s post. She will likely be this way for at least 2-3 hours before she stretches, rotates a quarter turn, and goes back to sleep.

Thursday, September 11, 2025

Pics of the Day

 

Reflections and Remembrance

I’m not going to dwell on politics or my health today—just two quick statements on both.

First, politics. I don’t think political violence should ever happen in the United States or anywhere else. Sadly, it happens far too often as it is, though thankfully, more often than not, it’s unsuccessful (and sometimes staged—ears just don’t grow back). The United States is gripped with a political fervor that seems rooted in hate, violence, cruelty, and greed. What’s most troubling is that most of the political violence, both successful and unsuccessful, has been against those who themselves have not been calling for it. Infer what you want from what I’ve said. 

While I’m not going to change what I wrote above, I think it came off as more offensive than it should have. I do not meant to blame a victim for what happened, but I firmly believe that rhetoric from the far left and the far right have caused this extreme polarization that is tearing apart our democracy. Charlie Kirk, no matter how awful the things he might have said were, he did not deserve to be murdered. Also, the conspiracy theory part, while it is my belief that it was at least portrayed much worse than it was for political gain, whatever else was behind it is not known.

Second, health. My Botox seemed to go really well yesterday. I liked the new provider I saw. We talked about how the treatment usually wears off for me around week ten of the twelve-week cycle. She’s going to try to convince my insurance to allow for treatments every ten weeks instead of every twelve. The woman who does scheduling for the Headache Clinic even set up my next two appointments with dates for both possibilities—ten weeks if it’s approved, twelve weeks if it’s not. That way I’ll have an appointment either way. Like my previous provider, she said if there’s ever a problem getting me in on time, to have them talk to her and she’ll adjust things to make sure it happens.

So, those weren’t exactly “two quick statements,” but I’ve said what I wanted to say on both topics.

On this day especially, I want to pause in remembrance of September 11. I think nearly all of us—maybe even all of us—remember where we were when we first heard the news. The confusion, and then the horrifying realization of what had actually happened, is something we’ll never forget. It’s been more than two decades, yet the memory of that morning—the shock, the grief, the uncertainty—still lingers deeply for so many of us. We remember the nearly 3,000 lives lost, the countless families forever changed, and the first responders who ran toward danger with courage and selflessness. We remember too how, in the days that followed, communities came together in ways that reminded us of our shared humanity and resilience. And it’s that spirit of unity, compassion, and strength that we especially need in today’s world.

May we all carry that spirit with us, today and always.

Wednesday, September 10, 2025

Pic of the Day

 

Worth Every Shot

 

The day is finally here—Botox day. Every twelve weeks I go in for my migraine shots, and as I’ve mentioned before, the relief usually wears off around week ten. These last two weeks have been especially rough. Because my boss has been difficult about my back issues (though she’s been a bit more sympathetic the last few days—sort of), I haven’t wanted to ask to leave early for a migraine. I know I shouldn’t worry about that, but I also don’t want to cause further tension. So, I’ve mostly just suffered in silence.

Most people wouldn’t exactly look forward to 31–37 injections in one sitting—especially when they’re all over your head, neck, and shoulders. Honestly, though, it’s not that bad if the provider knows what they’re doing and keeps it quick and accurate. The only ones I truly dread are the shots in the back of my head; I’m told that’s because of the occipital nerve. It usually takes a couple of days before the relief sets in, but it’s worth every single poke.

If nothing else, it’s made me pretty fearless about other shots. When I got my monkeypox vaccine, the nurse warned me, “Everyone says this one really stings, so just bear with me.” After it was done, she looked surprised and said, “You didn’t even flinch.” I just smiled and told her, “Honey, when you endure 37 Botox shots to the head every three months, this is a piece of cake.”

I hope your week’s treating you kindly so far—hang in there, we’ll get through it together.

Tuesday, September 9, 2025

Pic of the Day

 

The Dreams of the Dreamer


The Dreams of the Dreamer
By Georgia Douglas Johnson
 
The dreams of the dreamer
Are life-drops that pass
The break in the heart
To the soul’s hour-glass.
 
The songs of the singer
Are tones that repeat
The cry of the heart
‘Till it ceases to beat
 
 
About the Poem
 
Georgia Douglas Johnson’s The Dreams of the Dreamer is a brief but piercing meditation on the power and fragility of artistic expression. The poem likens dreams to “life-drops” trickling through “the soul’s hour-glass,” evoking both the preciousness of our inner visions and the inevitability of time’s passing. Songs, meanwhile, are cast as echoes of the heart’s cry—repetitions of human longing that endure until life itself is spent. The economy of Johnson’s language underscores the intensity of her theme: art is not incidental, but essential, even when born out of sorrow.
 
Johnson begins with the figure of the “dreamer.” Dreams, she says, are like “life-drops”—fragile and fleeting, but essential, like water to the body. These dreams fall through “the soul’s hour-glass,” suggesting both the inevitability of time and the slow draining away of what sustains us. Dreams here are not idle fantasies, but pieces of the self—hopes and desires that slip away as the heart breaks.
 
In the second stanza, Johnson turns to the “singer.” The singer’s art is not mere entertainment but a repetition of the heart’s cry. Music is presented as a translation of sorrow, carried outward in tones until the very last beat of life. Just as dreams are vital but fragile, songs are beautiful but born of pain.
 
Read in the context of the Harlem Renaissance, the poem reflects how art and creativity served as lifelines in the face of systemic racism and social limitation. Dreams and songs became vessels through which Black artists preserved dignity and expressed pain, hope, and resilience. Johnson, like her contemporaries, understood that creativity was both survival and resistance.
 
At the same time, the poem resonates deeply with the experience of many LGBTQ+ people. For generations, queer lives have been marked by hidden dreams and muted songs—hopes often confined by the fear of rejection or the demands of conformity. The imagery of “life-drops” slipping away through the heart’s breaks speaks to the quiet toll of living unseen or unaccepted, while the idea of the singer repeating the heart’s cry “’till it ceases to beat” captures how art has so often been the only place queer voices could safely exist. For LGBTQ+ readers, Johnson’s words may echo the endurance of self-expression in the face of silence, shame, or erasure. The poem’s beauty lies in its universality: it honors both the dreamer and the singer as figures whose inner truths cannot be contained, even when the world would rather they be quiet.
 
 
About the Poet
 
Georgia Douglas Johnson (1880–1966) was one of the most important Black female voices of the Harlem Renaissance. Though she lived much of her life in Washington, D.C., her poetry and plays brought her into the circle of leading Renaissance figures such as Langston Hughes and Countee Cullen. Johnson published four volumes of poetry and numerous plays, many of which grappled with themes of racial injustice, gender roles, and the inner struggles of Black life in America. Her home became a meeting place for writers, activists, and intellectuals, known as the “S Street Salon.” Despite the obstacles she faced as a woman and as an African American, Johnson’s poetry endures for its lyrical precision and emotional honesty, capturing the complex textures of longing, loss, and resilience. 


Postscript: I have a lot of pictures of men in beds saved—some waiting in anticipation, some just waking up, some lying there wide-eyed, some alone, some with a partner. But none of them really felt like a dreamer. This one did. Something about the way he holds the bed linens, the calm on his face, the way he’s settled in—it just spoke of dreaming. Maybe you see that too, maybe you don’t. I could have picked someone daydreaming, but I kept coming back to this. Because while daydreams let us play with ideas, it’s in sleep that the truest longings surface, when our minds stop steering and let the dreams simply be. And maybe those are the real dreams of a dreamer.

Monday, September 8, 2025

Pic of the Day

Monday Blues

 

It’s Monday, and I hate Mondays. I don’t think I’m alone in that, but it feels especially true for me today. Mondays always seem to hit harder when the schedule is stacked from start to finish, and this one is shaping up to be particularly exhausting. I’ve got classes to teach all morning and paperwork waiting for me all afternoon, which doesn’t leave much room to catch my breath.

To top it off, I woke up queasy, and the migraine that’s been dogging me for nearly a week is still hanging on. This kind of lingering migraine always seems to show up when I’m a week or two out from my next round of Botox injections. Sure enough, my next appointment is on Wednesday, and I’m counting down the days until I get some relief. Until then, it’s a matter of managing the pain as best I can and pushing through.

So yes, I’m not exactly starting this week at my best, but here we are—it’s Monday, whether I like it or not. Hopefully once I get through the busyness of today, the rest of the week will feel a little lighter.

I hope everyone else had a good weekend and that you’re off to a much better start to the week than I am. Here’s to surviving Monday together.

Sunday, September 7, 2025

Pic of the Day

In the Morning of Joy

He will wipe away every tear from their eyes, and death shall be no more. 
—Revelation 21:4

Today would have been the birthday of a dear friend who has passed away. Remembering him brings both gratitude for his life and sorrow for his absence. Birthdays of those we’ve lost remind us of how deeply they touched our lives, and they also stir reflection on all the others who are no longer with us—our family, our friends, and whole generations taken too soon.

I had been very close to this friend. He was the first person I felt I could tell anything to without fear of judgment. He encouraged me to be braver and more outgoing. I am still reserved by nature, but whenever I do put myself out there, I can still hear his encouragement in my ears. When he died, it nearly broke me. My friend Susan was a huge help in those days, but in the immediate aftermath, one of the things that truly sustained me was the hymn “In the Morning of Joy.” I clung to the hope that one day we would meet again in heaven—that he and my grandmama might be waiting for me. I’m not sure that’s exactly how heaven works, but that thought got me up in the mornings, carried me through the day, and helped me fall asleep through the tears at night.

But my grief also connects to something larger. A friend told me of a conversation with his uncle, who is my age. His uncle had seen a TikTok where a young gay man asked, “Where were all these hot gay DILFs when I was growing up?” The uncle replied, “Our generation is seeing gay men age for the first time ever, because 1) we are able to be out of the closet, so people are aware of our sexuality, and 2) the AIDS crisis is not taking us at 30 years old anymore.” That truth is staggering. We are the first generation to live openly enough, and long enough, to see ourselves grow older. But this gift is shadowed by the memory of those we lost—an entire generation of gay men taken too soon. To remember them is to carry both grief and gratitude: grief for lives cut short, and gratitude that their memory is not forgotten.

Scripture tells us, “The memory of the righteous is a blessing” (Proverbs 10:7). Those we have lost—friends, grandparents, lovers, mentors—leave us not just with sorrow but with blessings: their courage, their laughter, their wisdom, and their love. We carry them with us, and in that carrying, their light does not go out. The psalmist adds, “Precious in the sight of the Lord is the death of his saints” (Psalm 116:15). Death feels like a thief to us, but to God, it is the moment of welcoming His beloved children home. In God’s sight, even lives that seem unfinished are held in honor. And Jesus himself comforts us, “Blessed are those who mourn, for they shall be comforted” (Matthew 5:4). To mourn is to love deeply, and God meets us in our mourning, not always removing the pain, but walking with us through it.

And so we hold fast to the promise in Revelation: “He will wipe away every tear from their eyes, and death shall be no more.” (Revelation 21:4). For those of us who remember friends gone too young, grandparents who shaped us, or brothers lost in the plague years, this is not just poetry—it is hope. It tells us that death does not have the last word, and that the separation we feel today will one day be healed.

This is why the refrain of “In the Morning of Joy” has always meant so much to me: “We’ll be gathered to glory, in the morning of joy.” That promise reminds me that there will be a day when we are reunited with our loved ones—that friends, family, and even the generation of gay men lost to the AIDS epidemic live eternally, and that in Christ, we will be gathered together again.

As we honor the birthdays of those who have passed, and as we remember both our personal losses and the staggering loss of a generation, may we hold fast to this truth: though absent now, one day we will be gathered together in glory, in the morning of joy.