David by Michelangelo much like the guy in the picture, though I don’t think I was wearing a backpack at the time. It was a truly awesome experience. Each time I look at images of the painting I am transported back to that day in the Galleria dell'Accademia in Florence. Of course, back then I did have a head full of brown hair with a similar hairstyle. Today, there is much less hair and what I do have left is now nearly completely gray. I don’t have the muscle definition I had back then, and there’s more weight on my body. The painting has always had a special place in my heart, and I wish I owned an actual print of the image.
According to friends, Walker was strongly influenced by Renaissance Italian artist Caravaggio – especially in his use of shadow to show the contours of the young male form. For his subjects, he chose to paint gay men, depicting the struggles and joys the gay community lived through in his lifetime, from the fight for sexual liberation to the devastation brought about by HIV and AIDS. Walker believed his subjects were universal, touching on themes of love, hate, pain, joy, beauty, loneliness, attraction, hope, despair, life, and death.
As a homosexual, I have been moved, educated, and inspired by works that deal with a heterosexual context. Why would I assume that a heterosexual would be incapable of appreciating work that speaks to common themes in life, as seen through my eyes as a gay man? If the heterosexual population is unable to do this, then the loss is theirs, not mine
I strive to make people stop, if only a moment, think and actually feel something. My paintings contain as many questions as answers. I hope that in its silence, the body of my work has given a voice to my life, the lives of others, and in doing so, the dignity of all people.
In his lifetime, Walter’s work was exhibited in Toronto, Montreal, Los Angeles, Fort Lauderdale, Provincetown, and Pasadena. Much of the gay community loved Walker’s work and many pieces were sold for several thousand dollars. His art appears on the covers of gay novels, such as American writer Felice Picano’s 1995 epic Like People in History and the late Gordon Anderson’s novel of 1970s Toronto, The Toronto You Are Leaving. His paintings also grace the covers of six books by Michael Thomas Ford: Last Summer, Looking For It, Full Circle, Changing Tides, What We Remember, and The Road Home. Ford describes the book on his website mirroring what has been said about Walker’s art:
Much of my fiction is about what it's like living as a gay man at this time in history. These six novels look at different aspects of the gay experience. Although they share a cover style, they are not a series, and may be read in any order. Many people ask who the cover artist is. It's Steve Walker. Steve died in 2012, but his wonderful artwork capturing the lives of gay men remains to remind us of his talent.