A blog about LGBTQ+ History, Art, Literature, Politics, Culture, and Whatever Else Comes to Mind. The Closet Professor is a fun (sometimes tongue-in-cheek, sometimes very serious) approach to LGBTQ+ Culture.
Friday, February 11, 2022
Beaches
Thursday, February 10, 2022
Sleepy
Peanuts creator Charles M. Schulz said, “Learn from yesterday, live for today, look to tomorrow, rest this afternoon.” I guess I should have followed his advice and rested yesterday afternoon. Although,
Wednesday, February 9, 2022
Pic of the Day
Out Gay Male Skaters at the Olympics
In 2018, American figure skater Adam Rippon became the first openly gay man to qualify for the Olympics. No openly gay figure skaters competed in the 2014 Olympics in Sochi, and there were only three, including Rippon at the 2018 PyeongChang Olympics. At the 2022 Winter Olympics in Beijing, there are a record eight out gay men competing in figure skating. This increase is due to the greater level of acceptance in society and sports, according to skaters who have come out, with social media being a big driver. Jason Brown, who competes in singles, is Team USA’s only gay figure skater competing this year, though Team USA’s pairs skater Timothy LeDuc is the first non-binary skater to compete. LeDuc is a pairs figure skater, who competes with their teammate Ashley Cain-Gribble.
But what accounts for this record number of out gay men in the Beijing Olympics? Chad Conley, a Canadian junior nationals silver medalist who now coaches and is gay, was asked what accounted for the increase in the number of out male skaters. He said, “I do not think there is a change in the numbers of gay men in figure skating. In fact, I find there are more straight males finding success in figure skating.” Conley said that skaters feel more open about coming out because of the chance to make money on tour as opposed to being blackballed from the sport. “What is easier than it was even 15 years ago is that skaters who are open about their sexual orientation are now able to get postseason contracts with ‘Stars on Ice’ and more commercial sponsorships,” he said. “This is considered a recent evolution.”
Filippo Ambrosini with Rebecca Ghilard
Filippo Ambrosini never had a public coming out moment, but his Instagram account has numerous photos of him and his male partner, making it seemingly obvious that he is LGBTQ. When asked for confirmation by Outsports, Ambrosini said, “Yes, I identify as gay and I’m out.” The same goes for ice dancer Guillaume Cizeron of France, who came out in 2020 by posting a photo of him and his boyfriend. In response to the Instagram post, Cizeron said, “I would not consider myself in the closet before posting this, so I don’t really consider it coming out. Even though I have never spoken publicly about my sexual orientation, I am one of those who think that it is not something that [people] should have to do. Straight people don’t come out. ... I still hesitated a bit before publishing. Because I’m not in the habit of revealing really intimate things. I don’t know what got into me, I said to myself, ‘What do I have to lose?’”
When American singles skater Jason Brown came out during Pride Month last June, he talked about the diversity he experienced in skating. “I’ve grown up surrounded by beautiful, creative, strong, proud, successful and supportive LGBTQ+ role models,” Brown said on Instagram. “Whether it be family members, coaches, skaters, teachers, friends or others I’ve had the privilege of crossing paths with, my perception of what’s it like to be LGBTQ+ was far from one-dimensional. I’ve always found it impossible and truthfully dangerous to paint or stereotype any one group with a singular brushstroke. The diversity of people I’ve met along my journey has shown me that everyone is so individually themselves. No experience or personality is the same, simply people finding their identity, their voice and owning their truths and their own unique ways.”
Despite the record number of out male skaters, there are still issues, especially with coaches and judges from the former Soviet Union, where skating — and homophobia — has a long tradition. In October, Alexander Vedenin, a former international judge, said that Cizeron was “cold” in his performances with his ice dance partner Gabriella Papadakis because he is gay. “The French skate with class, but are cold,” Vedenin said. “The partner [Cizeron] does not have a traditional orientation and he cannot hide it.” Cizeron responded to Vedenin’s comments, calling them “a pathetic attempt to harm us.” On Instagram, Cizeron said, “Don’t let ignorant people tell you how much of a man or a woman you are. What makes you a man, a woman, a non-binary or anything in between, has nothing to do with your sexual orientation, and even less with your abilities, your value, your skills, or the level or respect that you deserve.”
In addition, 1994 Olympic silver medalist Alexander Zhulin of Russia insulted Timothy LeDuc, the non-binary American pairs skater, and then refused to apologize. LeDuc has been amazing in telling their historic story to inspire others, but the concern is that there could be homophobic judges who share the disgusting views of those two Russians. Cizeron and Papadakis won the silver at the 2018 Winter Games in South Korea and have won first at the worlds, so they are serious gold medal contenders.
“Until proper sanctions are put in place when comments from regulated officials — coaches and judges — make disrespectful comments, then our sport will not be completely safe,” Conley said.
Tuesday, February 8, 2022
Celebrating Black History Month
To America
By James Weldon Johnson (1871-1938)
How would you have us, as we are?
Or sinking 'neath the load we bear?
Our eyes fixed forward on a star?
Or gazing empty at despair?
Rising or falling? Men or things?
With dragging pace or footsteps fleet?
Strong, willing sinews in your wings?
Or tightening chains about your feet?
Calling Dreams
By Georgia Douglas Johnson (1880-1966)
The right to make my dreams come true,
I ask, nay, I demand of life,
Nor shall fate’s deadly contraband
Impede my steps, nor countermand;
Too long my heart against the ground
Has beat the dusty years around,
And now at length I rise! I wake!
And stride into the morning break!
Each February, National Black History Month serves as both a celebration and a powerful reminder that Black history is American history, Black culture is American culture, and Black stories are essential to the ongoing story of America — our faults, our struggles, our progress, and our aspirations. Shining a light on Black history today is as important to understanding ourselves and growing stronger as a Nation as it has ever been. That is why it is essential that we take time to celebrate the immeasurable contributions of Black Americans, honor the legacies and achievements of generations past, reckon with centuries of injustice, and confront those injustices that still fester today.
—From “A Proclamation on National Black History Month, 2022,” Joseph R. Biden Jr.
As I read these poems, it invokes images of the hardships and discrimination faced by the African American community, but I also can’t help to also read them as a gay man. In “To America,” James Weldon Johnson writes, “How would you have us, as we are?” The world has treated the LGBTQ+ community, especially gay men (and even more so, black gay men), as wrong. They want us to be something that we are not. We have faced discrimination and hardships, not in the same way as African Americans, mainly because we can often hide our queerness, but minorities of color are not able to do so. While there were certainly gay African American slaves in antebellum America, gay men, no matter their race, have faced the fear of imprisonment or “tightening chains about” their feet for “lewd behavior and crimes against nature.” One famous example is Oscar Wilde who was imprisoned for two years of hard labor for “sodomy and gross indecency” in 1895. Georgia Douglas Johnson begins “Calling Dreams” with the lines: “The right to make my dreams come true, / I ask, nay, I demand of life.” Isn’t this what all LGBTQ+ individuals, no matter their race, want?
Gay African Americans have made “immeasurable contributions” to the history of the United States. The Harlem Renaissance of the 1920s and 1930s was as much about the burden of representation and sexual dissidence. There were several queer men who made up the core of the Harlem Renaissance: Countée Cullen, whose " virtues are many; his vices unheard of"; Langston Hughes, who was a "true people's poet"; Claude McKay was the "enfant terrible of the Negro Renaissance"; and Richard Bruce Nugent, who is called “Gay Rebel of the Harlem Renaissance.” However, the Harlem Renaissance did not have monopoly on black queer trailblazers. Bayard Rustin organized the 1963 March on Washington, where Martin Luther King, Jr. gave his “I Have A Dream Speech.” The writer and social critic, Baldwin is perhaps best known for his 1955 collection of essays, "Notes of a Native Son," and his groundbreaking 1956 novel, Giovanni's Room,which depicts themes of homosexuality and bisexuality. (Giovanni's Room was the first gay work of fiction I ever read.)
Queer black representation had not been limited to men either. Audre Lorde, a self-described “Black, lesbian, feminist, mother, poet, warrior," made lasting contributions in the fields of feminist theory, critical race studies and queer theory through her pedagogy and writing. Barbara Jordan, a civil rights leader and attorney, became the first African American elected to the Texas Senate in 1966, and the first woman and first African American elected to Congress from Texas in 1972. Marsha P. Johnson, who would cheekily tell people the "P" stood for "pay it no mind," was an outspoken transgender rights activist and is reported to be one of the central figures of the historic Stonewall uprising of 1969.
About the Poets
James Weldon Johnson, born in Florida in 1871, was a national organizer for the NAACP and an author of poetry and nonfiction. Perhaps best known for the song "Lift Every Voice and Sing," he also wrote several poetry collections and novels, often exploring racial identity and the African American folk tradition.
Georgia Douglas Johnson was born in Atlanta, Georgia, in the late nineteenth century. A member of the Harlem Renaissance, her poetry collections include Bronze: A Book of Verses (B.J. Brimmer Company, 1922) and The Heart of a Woman and Other Poems (The Cornhill Company, 1918). She died in 1966.