Showing posts with label Television. Show all posts
Showing posts with label Television. Show all posts

Thursday, March 12, 2026

Boldly Watching Before Work


This morning I’m making a slight change to my usual routine. Instead of sitting down to write a full blog post, I’m going to watch the season finale of Starfleet Academy before I get ready for work.

I’ve been enjoying the series, and since today is the finale, it seems like the perfect excuse to take a few minutes with my coffee and see how they wrap things up. Besides, sometimes even a blogger needs a morning off from writing.

So today’s post is short and simple.

I hope everyone has a great day! πŸš€πŸ––πŸ’«

Thursday, March 5, 2026

Coffee, Toast, and Starfleet Academy

George Hawkins as Darem Reymi (left) and
Sandro Rosta as Caleb’s Mir (right)

My vacation from work is now half over. Where has the time gone? I’m just glad that I didn’t have to rush to get up this morning to write my blog post and that I have time to watch Starfleet Academy. I can take my time drinking my coffee, eating some toast for breakfast, and watching the show.

When I first learned about the series (they’ve been saying for years that they would make a show about Starfleet Academy, but I didn’t really believe they would), I was disappointed to see that it was going to take place in the 32nd century like the final seasons of Discovery. I also thought it odd that Holly Hunter would be the captain and Paul Giamatti would be the villain.

As far as I know, this is the first time that an Oscar-winning actor has led a Star Trek series. Hunter won the Academy Award for Best Actress for The Piano (1993). It’s not the first time a Best Actress winner has appeared on Star Trek, though. Louise Fletcher won the Oscar for her portrayal of the antagonist Nurse Ratched in One Flew Over the Cuckoo’s Nest (1975). However, Fletcher only had a recurring role as the Bajoran religious leader Kai Winn Adami on Star Trek: Deep Space Nine (1993–1999), which happens to be my all-time favorite Star Trek series.

When Star Trek villains are discussed and ranked, Kai Winn always ranks near the top because her public persona did not match her private villainy.

Anyway, Starfleet Academy has been fantastic. Sandro Rosta, who plays Cadet Caleb Mir, is a beautiful man with impossibly big shoulders that might look disproportionate on anyone else but are damn sexy on Rosta—and we get to see him several times without a shirt. George Hawkins, who plays Mir’s fellow cadet Darem Reymi, is a character you want to hate. While admittedly an asshole, he has a soft heart and is not only fucking gorgeous but also cute as a button—and he’s bisexual.

Then there is Karim DianΓ© as Jay-Den Kraag, a Klingon medical student and Star Trek’s first gay Klingon. DianΓ© is a very talented West African-American actor, singer, and songwriter who appeared on The X Factor USA. Though Klingons have never really done it for me, outside of the makeup DianΓ© is also pretty damn good-looking.

There’s also the cute and goofy War College cadet Kyle Jokovic, played by Dale Whibley, who becomes romantically interested in Jay-Den.

Some Star Trek “fans” have complained loudly about the teenage drama—which any school-related series is going to have. These are the same people screaming that Klingons can’t be gay. One of the greatest warriors in human history, Alexander the Great, was gay, and by all accounts he was both a fierce warrior and a compassionate man, much like Jay-Den.

There will always be supposed Star Trek “fans” who get upset over diversity and claim that Star Trek is “woke.” It’s part of why Deep Space Nine was unpopular with some viewers when it first aired because the lead actor, Avery Brooks, was Black. But these same people are missing the entire point of Gene Roddenberry’s vision of a future without prejudice.

Seriously, in the 1960s Roddenberry had a Black woman on the bridge, a Russian as the ship’s navigator, and a Japanese man at the helm. The original Star Trek pushed the envelope on a lot of social issues at the time, and every series since has done the same.

Roddenberry never directly addressed LGBTQ+ subjects, the series of the 1990s did so in limited ways, and Paramount+’s modern Star Trek revival has been openly LGBTQ+ inclusive. Starfleet Academy, in my opinion, is the most LGBTQ+ inclusive yet—and why not? The characters are at the age when many of us first discovered or explored our sexuality.

Alright, I’ve babbled on long enough. My coffee is getting cold and the penultimate episode of the season isn’t going to watch itself. I hope everyone has a great day—now if you’ll excuse me, I’ve got a trip to Starfleet Academy to get back to.



P.S. I almost forgot to mention the wonderfully queer comedian Tig Notaro as Jett Reno, who is in a relationship with the part Klingon, part Jem’Hadar Lura Thok. The two of them are hilarious together, though Tig can’t help but be funny in anything she does.


Thursday, January 22, 2026

Reporting to Sickbay

I got a little distracted this morning watching Starfleet Academy and completely forgot to write a post. It happens.

There’s not much exciting to report today, but I am seeing my new neurologist for the first time. I’ve been waiting nearly three years for the Headache Clinic to hire a new permanent neurologist, so this appointment has been a long time coming. I’m cautiously optimistic—and really hoping this one sticks around.

She seems fresh out of medical school—very Dr. Bashir energy—though I’m realistic enough to know she won’t be nearly as distractingly attractive.

And since I haven’t posted an Isabella Pic of the Week in a while, here’s one for this week. 🐾

She knows when she sees something pretty.

Now off to get ready. 🚿

Friday, January 16, 2026

From My Couch to the Stars πŸ––


Today is my usual Friday work-from-home day, and thank goodness for that, because our high today is expected to be 16 degrees. πŸ₯Ά

I have absolutely no plans to leave my apartment. I’m staying curled up on my couch, staying warm, getting done what work I need to do, and then monitoring emails for the rest of the day.

Star Trek: Starffleet Academy premiered yesterday, and as a Star Trek fan, I watched it as soon as I could—meaning right after I got home from work. It was better than I expected, though the jury is still out. I’ll definitely keep watching, and I’m hopeful it will find its footing. It seems to have real potential.

Have a great weekend, everyone. Stay warm. πŸ––❄️


Monday, December 8, 2025

Heated Rivalry Scored… Repeatedly


Every now and then, a book series grabs hold of me so completely that I find myself staying up far too late because I have to read just one more chapter. That’s exactly what happened when I picked up Rachel Reid’s Game Changers series—starting with the first two books, Game Changer and Heated Rivalry. I’ll be honest: hockey romances are not usually my favorite subgenre of m/m romance. But these books completely won me over. They’re steamy, full of heart, and emotionally rich in all the best ways. They’re the kind of novels that make you sigh one moment and fan yourself the next.

If you haven’t read Rachel Reid before, she’s a Canadian author widely loved for her blend of erotic heat and emotional tenderness. Her Game Changers novels focus on professional hockey players navigating fame, pressure, identity, and love—with characters so well developed that you can’t help falling for them. Reid has become one of the standout voices in contemporary LGBTQ+ romance, and it’s easy to see why.

It was actually the new television adaptation, Heated Rivalry, that convinced me to pick up the books. I checked out the series when it premiered and immediately fell for its production quality—and let’s be honest, the steaminess. The adaptation stays remarkably close to the novels, even lifting some dialogue straight from the page. Episode three, which adapts Game Changer, deviates more (condensing an entire book into 50 minutes will do that), but it still captures the heart of the story. And yes, the sex scenes absolutely live up to the hype.

After devouring the first two books, I’m now reading Tough Guy, book three. I’m enjoying it, even if it isn’t hooking me quite as deeply as the first two. I’m looking forward to continuing the series, especially books four and five (Common Goal and Role Model). But the book I’m especially eager to reach is the sixth, The Long Game, which returns to the couple from Heated Rivalry and continues their story. I’ve heard nothing but glowing praise.

One of the joys of the TV adaptation is its casting. Shane Hollander is played by Hudson William, and Ilya Rozanov is portrayed by Connor Storrie. Their chemistry is electric, and the show gives them the time and space to build a believable, aching, deeply sensual connection. FranΓ§ois Arnaud, who plays Scott Hunter, is openly bisexual and has long been a visible voice for LGBTQ+ representation. And Robbie G.K., who plays the impossibly cute Kip Grady, steals nearly every scene he’s in. There isn’t much publicly available about his personal life aside from the fact that he appears to be single, but he brings a joyful, queer-coded energy to the role that fans immediately latch onto.

The show is also notable for its broader LGBTQ+ representation behind the scenes. Reporting from Out highlights that multiple queer actors and creators are involved in the project, helping shape a series that treats queer romance with sincerity, playfulness, respect, and heat. It’s refreshing to see a production that doesn’t shy away from the eroticism of the source material while still leaning into its emotional beats.

If you enjoy sports romances, queer love stories, or simply beautifully crafted television, I highly recommend picking up Game Changer, Heated Rivalry, and the rest of the Game Changers series—and definitely give the TV adaptation a try. Even if hockey isn’t normally your thing, this series might just charm you the way it did me.

And honestly? It’s just a whole lot of fun.


The series debuted on Crave with a two-episode premiere on November 28, 2025, followed by weekly episodes, with the finale airing on December 26. In advance of the program's television premiere, the first episode received a preview screening at the 2025 Image+Nation festival on November 23, 2025. The series was released by HBO Max in the United States and Australia, Sky in New Zealand, and Movistar Plus+ in Spain.

Monday, November 10, 2025

From Tun Tavern to Netflix: Celebrating 250 Years of Marines

Miles Heizer as Cameron Cope

November 10, 2025, marks a truly historic milestone—the 250th birthday of the United States Marine Corps. Founded in 1775 at Tun Tavern in Philadelphia, the Marines have stood for courage, discipline, and an unshakable commitment to honor, duty, and brotherhood. Every year on this day, Marines around the world—past and present—celebrate their proud legacy. This year’s celebration carries even greater meaning as a quarter of a millennium of service is recognized.

In honor of that incredible legacy, I recently watched a new Netflix series that brings a very different but equally powerful perspective to the Marine Corps experience: Boots.

Max Parker as Sergeant Liam Robert Sullivan

Based on the memoir The Pink Marine by Greg Cope White, Boots tells the story of a young gay man who joins the Marines—though, unlike the memoir which is set in the 1970s, the Netflix adaptation takes place in the 1990s, just before the era of “Don’t Ask, Don’t Tell.” What unfolds is a deeply moving, funny, and inspiring story about resilience, identity, and belonging.

The show stars Miles Heizer and Max Parker, two incredibly gorgeous gay men who both play gay men with honesty and heart. Their chemistry, vulnerability, and courage to portray queer characters in such a traditionally masculine military setting make the series truly special. Heizer brings his signature quiet intensity to the role, while Parker adds authenticity and depth to every scene.

Boots doesn’t just retell a coming-of-age story—it redefines what it means to serve, to find pride in oneself, and to carve out a space in a world that often tries to deny you one. For LGBTQ+ viewers, it’s especially meaningful to see this representation handled with respect, humor, and tenderness.

If you haven’t seen Boots yet, I highly recommend it. It’s beautifully written, well-acted, and emotionally resonant. And what better time to watch it than now—in honor of 250 years of the United States Marine Corps—a reminder that courage comes in many forms, and sometimes the bravest thing a Marine can do is to live truthfully.


Semper Fi—and happy birthday, Marines!


P.S. I have to admit—there’s just something undeniably sexy about Marines. And fun fact: every military man I’ve ever hooked up with has, coincidentally, been a Marine. Go figure.

Monday, January 27, 2025

Section 31

Friday, Paramount+ released the first of their Star Trek movies, Section 31. In the Star Trek universe, Section 31 is a nefarious group introduced in Star Trek: Deep Space Nine when they tried to recruit Dr. Julian Bashir. Since its first introduction as an autonomous shadow organization tasked with protecting the Federation at all costs, the organization has appeared in Star Trek Into DarknessEnterprise, and Star Trek: Discovery. The organization has always been portrayed as an evil organization that would stop at nothing to fulfill what it believes its mission to be. Some Star Trek fans hate the idea of Section 31 because they say it goes against Gene Roddenberry’s utopian ideals for Star Trek, but let’s face it, while the Star Trek universe gives us hope for a better future, the Federation has never been a perfect society. Even Gene Roddenberry understood that utopia would have its cracks in its foundation.

Since Michelle Yeoh departed Discovery there had been rumors of a Section 31 series. Then, Yeoh won an Oscar for Everything Everywhere All at Once, I assumed the series development had been cancelled. I did not believe an Academy award winning actress would headline a Star Trek series. So, I was surprised when they announced that Paramount+ would be making what they called an “event movie” about Section 31 starring Michelle Yeoh.

Every new version of Star Trek since the original series has had a love/hate relationship with Trekkies. Many Trekkies hate anything that is not the original series. Even Next Generation which has become a much beloved show was hated when it began. Deep Space Nine was basically hated through its entire seven seasons, Voyager always got a mixed reception, and Enterprise seemed to put a death knell in Star Trek spinoffs when it only lasted five season. Then, Discovery was released on CBS All Access, and the hatred truly began because it introduced an African American female as the lead character, had a gay couple, transgender and non-binary characters, and a host of other perceived faults. There are many Star Trek fans who never understood the social commentary that Roddenberry established in Star Trek back in the 1960s. It was always groundbreaking, but even Star Trek fans are not immune to the racist, the homophobic, and the ignorant, no matter how much those beliefs go against all Roddenberry’s utopian ideals for Star Trek.

So, it’s no surprise to see Section 31 get terrible reviews from some of the fans. Plus, internet trolls are everywhere including among Trekkies. They are going to be critical and hate everything and never give anything new a chance. I won’t claim that I thought Section 31 was a masterpiece. I believed that it would be a good movie because I really didn’t think at this point in her career Yeoh would be part of a project that she didn’t believe would be good. There were certain surprise elements to Section 31 that I enjoyed, but I knew from the beginning that this would be a darker version of the Star Trek universe. All in all, I was entertained by the movie. I always like seeing anything Star Trek. I even gave Prodigy a try, and it’s the only entry in the series that I could not watch. When it was on Paramount+, I watched it, but I never enjoyed it. That might have had to do more with it being a show for kids than with anything else. I certainly was not going to resubscribe to Netflix to watch it.

So while Section 31 was not my favorite of the Star Trek franchise, it wasn’t too bad. I was entertained, and that’s what really matters to me. So, if you are skeptical, I suggest you give it a try. If you have already seen it, what did you think?

Thursday, May 30, 2024

Goodbye, Discovery!

I used to always write my posts the night before, but for the past several months, I’ve been writing them first thing in the morning. However, this post, I wrote last night. I knew I would probably not have time to write one this morning. Why you might ask? The series finale of Star Trek: Discovery was released today, and I’m going to watch it before I go to work.

I’ll admit that Star Trek: Discovery has not always been my favorite Star Trek series. However, it was what brought Star Trek back to television, even if it was on a streaming service. Because of Discovery, we got Picard, Lower Decks, and Strange New Worlds. We also got Prodigy, but honestly, that one is really not worth mentioning. Discovery started the “New Trek” era. There have been ups and downs with this new era of Star Trek shows, but we got Star Trek back and it wasn’t through J. J. Abrams, who I think did Star Trek movies a major disservice.

I’ll hate to see Discovery end, and I’ll hate to see Lower Decks end with its next season, but we have at least two more seasons of Strange New Worlds to look forward to and the upcoming Section 31 movie with Michelle Yeoh and the recently announced Starfleet Academy series which will apparently have Holly Hunter as a lead actress. I’m not sure how I feel about that, but we’ll see how she does.

So, as one series ends, and another one about to end, Trekkies still have a lot to look forward to in the near future.


P.S. I hate to see the end of a series headed by Sonequa Martin-Green. As far as I know, she’s the only lead on a Star Trek series from Alabama, and she has a degree from the University of Alabama. Although Louise Fletcher, who played Kai Winn on Deep Space Nine, was also a fellow Alabamian, she was a recurring character, not a lead actress.

Thursday, May 16, 2024

Discovery

I watched Star Trek: Discovery this morning when I got up, and considering where I work, this was a very interesting episode. However, because I watched the episode, I didn’t have much time to write a post today. So, enjoy your Isabella pic of the week. I took this one the other day.

Isabella: “Why are you disturbing me?”

Thursday, April 18, 2024

Thursday Morning

When I woke up this morning, I fed Isabella, made breakfast, and since it’s Thursday, I watched the new episode of Star Trek: Discovery. It’s a show I can’t multitask while watching, so I didn’t have much time to write a post. By the way, I think Discovery saved the best season for its last season. So far, I’ve enjoyed it more than any other season. I hope that continues.

Well, that’s it for today, have a great Thursday. Here’s your Isabella pic of the week:
In this picture, she’s staring at a robin. Of all the birds and wildlife around where I live, she only pays attention to one other animal: a robin. She’s obsessed with them. If I have a window open, and she hears a robin, she runs to the window as fast as possible. When I took this picture, she and a robin were having a staring contest. It seemed to go on forever until the robin got bored and flew away.

Thursday, April 4, 2024

“Let’s Fly”

Star Trek: Discovery’s final season began being released today with episodes 1 and 2. I watched episode 1 as soon as I got up this morning. And it shows a lot of promise for the season. I’ll watch episode 2 tonight. This season already has certain ties to both TNG and DS9

Although, I haven’t always loved Discovery, it is often fun to watch. It has also been the most LGBTQ+ progressive Star Trek series ever. It has included a married gay couple as main characters, a lesbian who was widowed during the Klingon War, and a transgender and a non-binary character. I’ve especially liked that the creators did not make a big deal out introducing LGBTQ+ characters. It’s been groundbreaking Star Trek series in many ways, and I’ll miss its progressiveness of the series.

If you’re curious about this post’s title, all Star Trek captains have phrase for telling their ship to move out: Picard’s was “Engage,” Captain Pike’s is “Hit it!,” and Captain Burnham (Discovery) is “Let’s fly!”

And here’s your weekly Isabella pic:
She enjoys keeping an eye on things from the top of the kitchen cabinets.

Friday, August 4, 2023

Strange Musical Worlds

In the penultimate episode of the second season of Star Trek: Strange New Worlds, “Subspace Rhapsody,” the show goes somewhere no other Star Trek show has gone before: the world of musicals. I’m not always your most typical gay man and don’t always follow stereotypes, unless I’m camping it up for one reason or another, but I am an embodiment of one stereotype: I love musicals and always have. With that being said, I’ll have to admit, even I was a little skeptical about a Star Trek musical episode. Could they pull it off? Would it be incredibly cheesy or silly? Could the cast even sing? 

However, the producers of Star Trek surprised me. I know there will be some naysayers, and there are plenty of Trekkies who seem to actually hate everything Star Trek, yet still consider themselves “fans.” Said naysayers either nitpick one very minor thing and claim it goes against “canon” and ruined the whole show (and I mean show not just episode), or they will claim that Star Trek should always be serious scientific exploration. Leonard Nimoy, the original Spock, said in a 2009 interview with Reuters, “Canon is only important to people because they have to cling to their knowledge of the minutiae. Open your mind! Be a ‘Star Trek’ fan and open your mind and say, ‘Where does Star Trek want to take me now?’” 

Nearly every episode has had its critics, but just as many have people who were enthusiastic about it. Facebook fan groups are already having debates about the merits of the episode. The same naysayers hated the recent Strange New Worlds/Lower Decks crossover episode “Those Old Scientists.” I thought it was one of the best episodes of the series, but I’ve also liked the Spock-centric episodes: “Spock Amok” and “Charades.” The best Star Trek series have had a balance of fun and wacky episodes and serious and scientific episodes. For example on Deep Space Nine, there are the serious “O’Brien Must Suffer” episodes and the humorous “Ferengi” episodes. In both Strange New Worlds and Deep Space Nine (the two series I know the best), a serious episode was usually followed by a fun episode or vice versa. Picard and Discovery, both of which I liked in their own way, tend to stick to serious episodes and use a serial story arch format for the season. Strange New Worlds and Deep Space Nine often follow the episodic format similar to Star Trek and The Next Generation. Both formats have their advantages, but I think I often prefer the episodic format.

One of the things I enjoy about Strange New Worlds is that there are certain subtle commentaries and traditions about Star Trek in each of the episodes. The writers/producers seemed to give a nod to the Leonard Nimoy quote above in “Subspace Rhapsody.” When Uhura plays Cole Porters “Anything Goes,” I suspect it was a message from the producers and writers to say, “Where does Star Trek want to take me now?” The bottom line is they did pull it off. Yes, it was cheesy and silly at times, but it’s a musical and by the nature of the genre, people break out into song when normal people wouldn’t. Also, like many musicals, it had its emotional moments and plenty of humor along the way. That leaves the last question: Could the cast even sing? The answer is, some can, others are OK. Rebecca Romjin (Number One) and Celia Rose Gooding (Uhura) have beautiful voices as does Jess Bush (Nurse Chapel). As for the others, the lack of being a music virtuoso makes sense in the way it was done or they sing as part of the chorus. I’m not sure anyone would want to hear Carol Kane sing with that voice of hers. I also liked that the style of music that various characters sing fit their characters. For example, Anson Mount’s Captain Pike has an almost county twang to his songs. Ethan Peck’s Spock is more serious.


I’ve tried not to give too much away, so I don’t think I’ve given any spoilers. Forgive me if I have. Of course, my enjoyment of “Subspace Rhapsody” is just my opinion (but I’ve already watched it twice since it was released yesterday). Trekkies everywhere will have strong opinions one way or another. I liked it and wanted to share my own opinion. Overall, if anyone was going to do a “Star Trek Musical” this was the way it should have been and was done. The “Subspace Rhapsody” official cast recording will be available for purchase starting today, though Apple Music accidentally released it early and then took it down. If/when you watch it, I’d love to hear your opinion of the episode (I know those outside the United States aren’t yet able to watch the episodes).

Thursday, July 20, 2023

T.G.I.Thursday

For the past six weeks and for the next four, I look forward to Thursday because a new episode of Star Trek: Strange New Worlds premieres each week. The show is great, and I think it’s the best iteration of Star Trek since Deep Space Nine. It is especially fun to watch SNW for two reasons: Anson Mount (above, left) and Ethan Peck (above, right). Anson Mount makes the best looking Star Trek captain since the original Star Trek Captain Jeffrey Hunter, who also played Captain Christopher Pike. However, the main reason is Ethan Peck, the grandson of Gregory Peck. Ethan Peck plays Spock and is incredibly handsome. He also has a fantastically shaped butt and a great body overall. I mean, look at this man:

The show itself is well worth watching, but thankfully there is also plenty of eye candy, including Paul Wesley as a young Lt. James T. Kirk.

Thursday, August 11, 2022

Spectrum πŸ“Ί

I have Spectrum cable at my current apartment. For the most part I get good service with Spectrum, though it is more expensive than my previous cable, and I no longer have HBO. When I first got Spectrum, I realized there were several channels that I wanted that I did not get, such as TCM (I love old movies), so I went with the expanded package to get TCM and some other channels I didn’t have. One of those channels was Heroes & Icons, which I didn’t realize I had until last night. H&I shows Star Trek, Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, and Star Trek: Enterprise every night. Though I won’t stay up until midnight to see all five shows, I would like to have the option. When I tuned to the channel, it says I need to upgrade, even though I already upgraded to this channel, also there isn’t a πŸ”‘ icon after the channel title, which means I’m supposed to have the channel available. I can access the channel through the Specteum app on my iPhone, iPad, MacBook, and Roku, but I cannot access it through the cable box.

Because it would not let me tune into the channel, I decided to contact Specteum. I was first told to reset the cable,box, which I did, and it did not fix the problem. My next option was to use the chat feature on their website. It was not working correctly because they were supposed to try resetting the box remotely, but it never reset. So, they then said I needed to talk to a representative instead of their automated system. It said there was a 25-30 minute wait, so I waited. And I waited. And I waited. Finally, I got “near the front of the line” before they said it was taking longer than usual and to continue to wait. I spent most of my evening waiting on a Spectrum representative, but eventually it was my bedtime, so I had to disconnect. I never was able to speak to anyone. I’ll have to try again when I get home from work tomorrow.

I hate waiting on customer service representatives. Usually, once I get someone on the phone or through the chat in the “Contact Us” section, the representative is usually very nice and helpful. The problem is getting someone to talk to. Oh well, I know like most people in the service industry of any kind, they are overworked, overwhelmed, and trying to do the best that they can.

Monday, August 1, 2022

Hailing Frequency Closed

The bridge of Star Trek’s U.S.S. Enterprise was surpassingly diverse for a 1960s television show. The first officer was an alien, the helmsman was Japanese, the navigator was Russian, and the communications officer was an African woman. Actress and singer Nichelle Nichols, played communications officer Lieutenant Uhura, whose name came from Uhuru, the Swahili word for "freedom." At age 89, Nichols died Saturday night of heart failure in Silver City, New Mexico. Nichols was one of the first Black women featured in a major television series. 


It was a groundbreaking role that Nichols did not realize just how groundbreaking until she met a particular fan of hers. It was 1967, and reviews for the first season of Star Trek were not great. Nichols had bigger issues with the show. She found it demoralizing to see her lines cut and cut again. She had to deal with racist insults off set, as well as from executives who conspired to keep her from seeing her fan mail. At the end of the first season, Nichols recounted in her autobiography, she told the show’s creator she was done.

 

But the next day, at an NAACP function, a fan greeted her: Martin Luther King Jr. He told her how important her role was and how he and his family watched Star Trek faithfully and adored her in particular — the only Black character. Nichols thanked him, but said she planned to leave. 

 

“You cannot and you must not,” she recalls him saying. “Don’t you realize how important your presence, your character is? ... Don’t you see? This is not a Black role, and this is not a female role. You have the first non-stereotypical role on television, male or female. You have broken ground. “... For the first time,” he continued, “the world sees us as we should be seen, as equals, as intelligent people — as we should be.”

 

Nichols stayed for the next two seasons of the series, lent her voice to an animated version, and appeared in a half-dozen Star Trek movies. She had the first interracial kiss in American television. She recruited for NASA. Through her work, she influenced Mae Jemison — the first Black female astronaut.

 

Nichols suffered a stroke in 2015 and was diagnosed with dementia in 2018. Last December, at San Diego's Comic Con, Nichols made her last public appearance and was celebrated by NASA.

With the passing of Nichelle Nichols, one of Star Trek’s brightest stars has gone out. Hailing frequency closed. 

Friday, May 6, 2022

Anticipation

Sometimes, we can describe things as "highly anticipated," i.e., an event we eagerly anticipate and expect will be very good, exciting, or interesting. Sometimes, those highly anticipated events live up to their hype. Sometimes they don't for one reason or another. I anticipated seeing Firebird, as was apparent in yesterday's post. Then, yesterday morning while I was eating breakfast, an aura (flashing or twinkling lights or zigzag lines, which typically precede migraine headache) appeared in my vision. I usually see twinkling lights, and this is what I saw yesterday. While I don't always have an aura before headaches, I always have a headache beginning in the next 24 hours after I see an aura. Today's was a particularly dramatic aura that went on and on for about a minute. They usually only last a few seconds. By the time I got to work, I had a progressively worsening migraine, and it progressed throughout the day. I went home at lunch. I knew if my headache did not improve, I would not be going to see the highly anticipated Firebird, no matter how much I wanted to see it. Eventually, it will be released on one of the streaming services, and I can then watch it on the small screen. So, bummer number one, I did not get to see Firebird.

 

Another example is my post-op appointment with the doctor who did my endoscopy. It was supposed to happen this week to discuss our next step since I was not an ideal candidate for the Inspire device. I had still not heard from my doctor's office by Wednesday, so I called. They could not schedule an appointment to see the doctor until May 26, not exactly this week, is it? Anyway, I am anticipating what I will hear from her when I can have the post-procedure conversation.

 

Those two highly anticipated events proved to be disappointments, not because the movie was terrible or because I got bad news from the doctor. They were merely disappointments because they did not happen. Two other events were highly anticipated: the second season finale of Star Trek: Picard (PIC) and the series premiere of Star Trek: Strange New Worlds(SNW). Since I first saw Anson Mount as Captain Christopher Pike and later heard rumors that he would be given his own show that would feature him as the captain of the USS. Enterprise. If you know your Star Trek lore, you know that Pike was the captain of the Enterprise before James T. Kirk was captain of the famous starship. I was excited to see what they might do with the Enterprise in the years before Kirk, Spock, and McCoy, and I was also excited to see more of Anson Mount as Pike and Ethan Peck (the grandson of actor Gregory Peck), both of whom I have major celebrity crushes on. Both men are very sexy and handsome and play to both types of men that I find myself most attracted to.

 

I will not give anything away about the series premiere, but I do have a few things to say. Sometimes, highly anticipated events, especially movies and television shows, turn out to be highly disappointing, and sometimes, highly anticipated events exceed all your expectations. Of course, there are also times when it does neither or is what you expected or not as bad as it could have been. SNW exceeded all my expectations. To say it was phenomenally good would be an understatement. The only time I have enjoyed a Star Trek series more than the first episode of SNW was Star Trek: Deep Space Nine (DS9), which I have watched the complete series numerous times. 

 

Rod Roddenberry, son of Gene Roddenberry (creator of Star Trek) and CEO of Roddenberry Entertainment, said of SNW, "Saying nothing bad about the other shows, but this is the one I'm most excited about. It's going to go back to the formatting of the original series. It's the kind of thing we need to get out there to give us hope" I hope SNW does get back to the hope and spirit of the original Star Trek. Discovery and Picard have often shown us a darker version of the future, and while I still enjoy them, I love DS9, and it was the darkest of all the first generation of spin-offs, I think at the heart of Star Trek is a message of hope.

 

This brings me to my last highly anticipated event, the season finale of Picard. The finale of season one left me unsatisfied and maybe even a little upset or disturbed. It had some great parts, but the very end just did not sit well with me. The second season has been more entertaining and, I guess, less heartbreaking. Season two's finale lived up to the expectations we've seen throughout the series, and I found the finale interesting and satisfying. A lot happens in the episode, and there could have easily been two additional episodes, as they crammed a lot into the 45-minute runtime. I'm interested to see where the third and final season takes us.

 

I guess two out of four ain't bad, especially when the two exceeded my expectations. The other two were just disappointments that will resolve themselves in the future. Right now, I’m just looking forward to where Star Trek: Strange New Words takes us. Hit it!

Monday, December 6, 2021

Pitter Patter

There are certain actors that make my heart go pitter patter and can take my breath away when I see them on the screen. Wilson Cruz as Dr. Hugh Culber on Star Trek: Discovery is one of them, and the new uniform this season makes him even hotter. There’s something about these new uniforms that just look great, no matter who is wearing them, but back to Cruz. When he played Enrique "Rickie" Vasquez, a troubled, gay teen, in the short-lived series My So-Called Life, Cruz was the first openly gay actor to play an openly gay character in a leading role in an American television series. That was in 1994, and I was a junior in high school. While I may not have been out, or even understood that I was gay back then, Cruz still made an impression on me. So when he was cast in Discovery as a gay doctor, I was thrilled. Who better to play one of the first two openly gay Star Trek characters than such a groundbreaking actor. Also, while over the four seasons of Discovery Cruz’s role has become more important each year, his character in the fourth season seems to have really hit its stride. Dr. Bashir on Deep Space Nine and Dr. McCoy on the original Star Trek have always been my favorite Star Trek doctors, Dr. Culber has surpassed them.

There are other actors that always get me hot and bothered. One of those actors is Luke Macfarlane. You’re probably all going, “Who?” Macfarlane first notable role was as Scotty Wandell on ABC's Brothers & Sisters from 2006-2011. He was the husband to Kevin Walker (played by Matthew Rhys), one of the "brothers" of the show. He was also a main character in the Sci-Fi Channel (and Canada’s Space Channel) show Killjoys from 2015-2019. Also, if you watch any Hallmark Channel Christmas movies, he’s on of their go-to actors. Most recently he was in the Micheal Urie and Kathy Najimy Christmas movie on Netflix Single All the Way as the gorgeous fitness/ski instructor James (see above picture). I watched the movie last night and enjoyed it. I have not seen Macfarlane in a lot of stuff since I had seen him in Killjoys, but when he came on the screen in Single All the Way, I think my heart literally skipped a beat.

There are many gay actors that I love, and a few that aren’t gay, that make my heart go pitter patter. One that never fails me is Colton Haynes. I have been in love with him since I first saw pictures of him making out with another male model in the now defunct XY Magazine. Years later,  he was in Teen Wolf and Arrow. What’s amazing about Haynes is that he’s been a successful model and actor but has also suffered from severe anxiety all of his life. Sadly, he dealt with that anxiety with drugs and alcohol, but as I understand it, he is finally sober and doing well these days.

So what actors, particularly gay ones, make your heart go pitter patter?

Monday, September 20, 2021

JBC vs. CDR


For Jeffrey Bowyer-Chapman, Canada’s Drag Race (CDR) should have been a dream come true. He was raised in a tiny town in Alberta and had no previous major television credits to his name. The 36-year-old actor and model — whose biggest credit was playing a manipulative reality TV producer on Lifetime’s UnREAL — was chosen to sit among its panel of judges. The openly gay and biracial Bowyer-Chapman already was familiar to CDR fans the world over having appeared a handful of times as a guest judge on VH1’s RuPaul’s Drag Race (RPDR) and RuPaul’s Drag Race All-Stars. “There’s something about drag that I’ve always been so enamored by,” he said. “Drag is magic."

But the dream quickly turned into a glittery nightmare. In a recent interview, Bowyer-Chapman discussed his exit from the program where he alleged racism from the CDR producers, as well as a toxic fanbase that prompted his abrupt exit from the program. Bowyer-Chapman had served as one of the permanent judges in the first season of the series, a spin-off of the popular American show, RPDR. He exited the job prior to Season 2 following a campaign of online blowback for his comments as a judge although he cited “scheduling conflicts” as the official reason for his departure. Speaking to The Hollywood Reporter, Bowyer-Chapman explained that American producers convinced him to accept the job as a judge on the Canadian show, but that the toxic work environment drove him to leave.

Upon arriving on the Canadian set, Bowyer-Chapman encountered a new group of local producers, and very different attitudes about his involvement. “I came into CDR with a false sense of security because I had built trust with the producers of the American show,” he said. “But this was a different set of producers. And I think they were trying to create something impactful and prove themselves along the way. There were many instances where I should have paid attention to my intuition and spoken up. And I didn’t.”

The problems began almost immediately when a “white, gay, male showrunner” pulled Bowyer-Chapman aside and told him just before he was to meet the queens for the first time that he was the “man-candy for the queens to drool over.” Apparently, all the judges had signed very ironclad contracts stating they would not fraternize with any of the contestants or the crew off-set. They were to have no personal relationships, dialogue, or contact with the queens whatsoever other than when they were filming. Bowyer-Chapman said in his introduction to the drag contestants, “the queens were flirting with me and being suggestive in some ways. My walls went up immediately. I realized there were different expectations being put on me that were not being placed on the rest of the cast, and nobody was going to protect me.”

The harassment from the showrunner continued, as Bowyer-Chapman’s boss explained he needed to play the role of the “sassy” judge on the panel. Bowyer-Chapman said, “Being told that from a white person, ever, as a Black person, it’s like a dog whistle. It’s like what is said of Black women and of Black queer men meaning you’re the hot-headed, opinionated one who’s going to tell it like it is and not give a shit about what anybody has to say. And that’s not who I am.” He also attributes that environment, at least in part, to a lack of Black talent behind the camera. “There really was no Black talent,” he said. “We’re walking onto a set of CDR day one, and the showrunner is telling me how diverse the crew was as he’s giving me a tour. And I didn’t see one Black person.”

In a departure from the US version of the show, the Canadian version outfitted judges with earpieces to get suggested snarky comments from producers. Judges also got a list of suggested negative criticisms from producers ahead of time, and were required to record them so editors could drop them into a show at will. The policy made Bowyer-Chapman uncomfortable as it forced both him and the other judges to constantly deliver negative criticism. “Even if we didn’t have anything negative to say, you had to come up with something negative.”  He said he realized the producers were portraying him as aggressively negative after the first episode. Tensions hit a new level several episodes into the season when Bowyer-Chapman had a terse exchange with the contestant, Jimbo. The moment, in which Bowyer-Chapman told Jimbo to “use time better, maybe,” became an instant meme, and prompted fans to create a Change.org petition to have Bowyer-Chapman fired from the show. The petition didn’t garner anywhere near its signature goal, but the moment started a campaign of online bullying that would follow Bowyer-Chapman the rest of the season. 

“My inbox was flooded with people telling me I was too mean. I didn’t know what I was talking about. Just a lot of blatant racism. Their public profiles read ‘Black Lives Matter,’ but their DMs were all about how my Black life didn’t matter. All of us were locked in our homes, riddled with anxiety … and then to be experiencing this hate and verbal violence and emotional assaults, this just blatant racism at the same time from my own community? It was really hard.” Bowyer-Chapman’s co-judges felt some of the backlash, too — but whereas judge, Brooke Lynn Hytes (who said of one contestant’s piΓ±ata-like outfit, “I should … beat you with a stick”) already had competed in a season of RPDR, and earned the right to critique, Bowyer-Chapman was viewed as an interloper with no expertise in the field. There also was the matter of race. “There was a lot I experienced that Brooke Lynn just couldn’t have, because Brooke Lynn is a white man.” 

Amid the harassment, RuPaul himself reached out to comfort Bowyer-Chapman. He also advised the then-judge to leave Twitter over the ongoing harassment. “We had conversations about his experience in this world and this industry as a Black, queer man. As a drag queen,” Bowyer-Chapman recalled. “All the hate and trolling and vitriol he’s experienced his entire life. And it’s really heartbreaking, but he’s experienced it for so many years and he’s so clear-headed about it. He has learned to not take it personally.” Still, when Season 2 of CDR rolled around, Bowyer-Chapman opted to leave to accept a role on another series though not before he “called a lot of attention to the bullshit that occurred behind the scenes and the stuff that happened online and their inaction.”

Crave, the network that airs CDR, released a statement regarding Bowyer-Chapman’s departure and the campaign of online bullying. “In light of the social media attacks and bullying that Jeffrey experienced during season one, we put measures in place to mitigate this for future seasons. This includes a dedicated social media consultant to work with Crave to continue monitoring conversations in real-time.” RuPaul declined to comment, but his relationship with Bowyer-Chapman remains good, and he already has taped an appearance on an upcoming season of RPDR. For Bowyer-Chapman, though, the lesson is clear: “That’s what happens when it’s only white, cisgender people behind the scenes making the decisions. That’s what happens.”

Thursday, September 16, 2021

Homophobic "Trekkies" and Wilson Cruz


Wilson Cruz, who plays the gay doctor Hugh Culber on Star Trek: Discovery and is openly gay himself, took to Twitter to bring attention to an incident that occurred during his appearance for Star Trek Day on September 8. Cruz voiced his frustration with a homophobic Star Trek fan that harassed him during a recent appearance.

In the tweet, Cruz wrote, “I wonder if this was the moment on stage when I heard a ‘fan’ on Star Trek Day refer to me with a homophobic slur,” Cruz wrote, captioning an image of himself smiling on stage. “Still smiling, though. You’ll never kill my joy.”

 

There are more Trekkies who are homophobic than you would think would be the case. They were outraged when on Star Trek: Deep Space Nine there was a kiss between two women (which was not a gay kiss—it’s complicated), and they have voiced their disdain over the LGBTQ+ characters on Star Trek: Discovery and the possibility of LGBTQ+ characters on Star Trek: Picard. During the early years of Enterprise there were constant rumors that one of the characters would come out as gay, but with the backlash from this homophobic group of fans, it never materialized. Only recently has the Star Trek universe begun to embrace LGBTQ+ characters, and it’s about time. 

The majority of fans are not homophobic, but the ones who are seem to be quite vocal. Cruz’s tweet sent Trek fans rushing to defend Cruz and slam event organizers for not doing more to curb the hate. Cruz then returned to Twitter to defend the event and calm his fans. 

“Listen, y’all… I really don’t blame the event. I only heard it,” Cruz wrote.” Couldn’t point them out, so chose to ignore it. I DON’T blame the EVENT at all! That day wasn’t about them and it wasn’t about me. It was about Star Trek, it’s legacy, it’s ideals, it’s visionary creator…”

 

“I REALLY didn’t mean for this to blow up,” he continued. “It just means we have work to do. Let’s do it and move beyond this trivial moment. They’ve received enough attention, as it is. I’m grateful for ALL of your care. I forget sometimes how much this fandom can go to bat when it wants!”

 

Star Trek: Discovery has won wide praise for including the first explicit LGBTQ+ characters in the history of the long-running franchise. Alongside Cruz, actor Anthony Rapp plays Hugh Culber’s husband Paul Stamets, while actor Blu Del Barrio portrays the couple’s adoptive trans/nonbinary teen, Adria. Trans actor Ian Alexander also has a recurring role as Adria’s former love, Gray Tal. Also, openly gay comedian Tig Notaro plays Engineer Denise "Jett" Reno who in an early episode discussed the death of her wife.

These homophobic Trekkies don’t understand the basic philosophy of Star Trek. Gene Roddenberry, the creator of Star Trek, built Star Trek around the idea of differences and coming together despite them. When you compare the diversity of Star Trek: Discovery to Star Trek: The Original Series, Star Trek has come a long way, and I believe Roddenberry would be happy with the diversity presented in the franchise. On the bridge of the original USS Enterprise, there was a black woman, an Asian man, and a Russian during the height of the Cold War. Star Trek has come so far, yet there is still much work to be done. Progress has and is being made. No matter what century the show takes place in, we are seeing a true normalization of diversity.