Nero couldn't have played an actual fiddle, since the violin wasn't invented until the 16th century; he might have played a lyre, a type of small harp. Nero himself blamed the fires on Christians, thus setting the stage for years of persecution of Christians in Rome.
Suetonius portrays the life of Nero in a similar fashion to that of Caligula—it begins with a recounting of how Nero assumed the throne ahead of Claudius' son Britannicus and then descends into a recounting of various atrocities the young emperor allegedly performed.
Nero's eccentricities continued in the tradition of his predecessors in mind and personal perversions. According to Suetonius, Nero had one boy castrated, and then had sex with him as though he were a woman. Suetonius quotes one Roman who lived around this time who remarked that the world would have been better off if Nero's father Gnaeus Domitius Ahenobarbus had married someone more like the castrated boy.
It is in Suetonius we find the beginnings of the legend that Nero "fiddled as Rome burned." Suetonius recounts how Nero, while watching Rome burn, exclaimed how beautiful it was, and sang an epic poem about the sack of Troy while playing the lyre.
Suetonius describes Nero's suicide, and remarks that his death meant the end of the reign of the Julio-Claudians (because Nero had no heir). According to Suetonius, Nero was condemned to die by the Senate. After five years of misrule, the Senate declared Nero a public enemy whose death sentence was particularly painful. He was to be stripped naked and flogged until dead. A slave refused Nero’s orders to stab him in the neck, forcing the ex-emperor had to commit suicide. Fancying himself a genius poet and composer, he lamented over and over as he bled to death, “What an artist dies with me!”
Ah, the Roman orgy. Caligula probably did it better (if you could survive it), especially considering that Nero was reportedly to be grossly overweight and castrated at least one man so that he could treat him as a woman.
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